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Soft Cell's Musical Force Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell with Marc Almond in Leeds during 1977

The talented musician, one half of the innovative 1980s electronic music band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the team achieved a global success with their cover of Gloria Jones' Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of synth-pop.

He subsequently founded the pioneering electronic act The Grid, who secured popular acclaim with 1994's the hit Swamp Thing.

Ball passed away calmly in his rest at his residence in London on October 22, just weeks after performing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

At that show, Ball performed in a wheelchair, as he had for the last two years, following a spate of ill-health.

"I ended up damage myself significantly," he stated in 2023. "I fractured lower vertebrae in my spine and fractured about five ribs and fractured my arm."

Following contracting pneumonia and suffering from sepsis, he was put in an medically-induced sleep and stayed in hospital for half a year.

However, he had been in "a great place mentally" over the summer, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is set for release in the coming year.

"He was concentrated and very pleased with the new album that we actually completed only a few days ago," stated the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I find comfort from the fact that he heard the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "a wonderfully brilliant creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an significant aspect of my life and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "steadfast support".

"Being in a partnership with someone is distinct from being in a group, the connection is very tight," he continued.
"That was the case with us. We experienced so many remarkable, incredible, life-affirming moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Early Life

Born into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was 18 months of age.

He was raised in Blackpool with adoptive parents Donald and Brenda Ball, who altered his first name from his birth name to his adopted name, alongside his younger sister Susan, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both learning art. Inspired by a mutual passion of Northern Soul, they established Soft Cell the very year, and promptly recorded an EP.

Musical Partnership

The duo were an distinctive pairing: Ball was the reserved technician, bent over his keyboard, while Almond was a charismatic showman, all glitter and makeup; but they attained a unique creative synergy.

Ball had developed a interest with electronic instruments after viewing the band Kraftwerk appear on BBC program a popular series, and started to combine dark electronica to the soaring melodies Almond was composing.

Their signature song became the UK's second most popular single of the early 80s, shifting millions of units worldwide. Together with successful tracks by other artists, contemporary bands and electronic acts, it contributed to cleared the way for the electronic music style of the 1980s.

The track was also included on their full-length debut, their initial LP, which produced two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The duo were developing fresh songs right up until Ball's passing

Career Highlights

Fame had its benefits. "I enjoyed being able to afford my first home, having financial security and exploring, which might seem like a beauty queen," Ball not long ago told with a music magazine.

But it also caused challenges. "Newfound wealth meant we could purchase newfound drugs to relieve the monotony" of media interviews and television shows, Ball explained.

"I know that's a cliché, but it's a truism for a good reason, because it works for so many bands."

Amidst the hedonistic lifestyle, the pair were also growing distant, but they succeeded to create a second memorable record - the unconventional, edgy and aptly-titled The Art Of Falling Apart.

They put out another LP, their 1984 release This Last Night In Sodom, before dissolving the band to focus on other projects.

Almond went on to have a prosperous individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the charting album Cruelty Without Beauty.

After another break, they returned in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on 30 September, 2018.

However, they stayed active, creating their latest project, Happiness Not Included, during the 2020 restrictions.

Ball lately characterized the band's new album as a tribute to the NYC nightlife they visited while making their initial records.

He added that his time in hospital had influenced the band's sound.

"I had unusual memories when I was coming and going of hospital because I was on morphine," he explained to a publication.
"Our latest tracks are a digital reflection of the sounds in my mind from that time.
"In parallel, it's about the experiences we had in the 80s."

The final mixes were completed only a short time before Ball died. It is due for release in the spring of 2026.

RJ
Written by

Rachel Johnson

A digital strategist with over a decade of experience helping startups scale through innovative marketing techniques.

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