KPop Demon Hunters Star Shares The Ways Her Personal Path Reflected Main Character's Story
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"{I disliked that I looked Asian, that I didn't have light-colored eyes and fair hair, because those were the beauty standards back then," reveals the actress, who voiced Rumi in the streaming platform's chart-topping movie, KPop Demon Hunters.
The performer, 40, is describing her childhood in the southern state, as the eldest daughter of Korean immigrant parents and her struggle for acceptance in the United States.
In the film, which narrates the tale of a girl group who must save the world from evil forces, the protagonist has to come to terms with her true nature as part human, part demon – and when Cho first saw the screenplay, this struck a deep chord.
"Being born in America, feeling American but having others view me like I'm not, trying to figure out my identity as an Asian-American, as a Asian-American, as a female," she says.
These elements were components of her formative years that paralleled Rumi's journey.
"Truthfully, at various stages in my existence, I hated a lot of myself and I wanted to be someone else.
"During childhood, your surroundings influences who you become and I feel like I lacked exposure to sufficient individuals that look like me."
When it debuted on the platform in June, KPop Demon Hunters registered 33 million views in just 14 days, and reached the top 10 of the streaming rankings in dozens of nations. To be part of the first Hollywood animated film with a Korean setting, with Asian protagonists, was for Cho "a dream come true" – but it has also made her a powerful role model for young Asian-Americans, the type that she lacked when in her youth.
Cho notes many Korean-Americans have expressed it's "such a refreshing moment", making them proud for the first instance of their dual heritage and cultural roots.
"In my view Korean pop music has genuinely broken barriers. Korean cosmetics has had a significant influence on global appreciation for Korea. But I believe this movie is the one that tipped it over the edge, of, inspiring travel to Korea, now," she comments.
But the movie's triumph was uncertain and the actress admits she felt the production crew were "occasionally struggling against odds".
"It seems it's unfortunate to mention this, but any time there's an Asian-led project, people feel like a gamble," she reveals.
So, when she accepted the part, she made an effort to connect with everyone working on the film face-to-face, she adds.
The movie was launched against the backdrop of heightened enforcement actions in the United States as part of mass deportation efforts, which sparked protests in numerous regions.
As an person of Asian descent living in the US "it's heartbreaking and disappointing," she states. "Newcomers have made America what it is."
Korean news sources have estimated that up to 150,000 individuals from Korea without proper documentation, including those who were adopted, are among those who could be removed.
As an grown-up, she understood that the racism she had experienced when she was younger was largely due to a knowledge gap, as people didn't know what it signified to be of Asian descent.
"But now, in the modern era, when it seems the society and individuals ought to be more informed, it is beyond disappointing and at times it appears there's a sense of despair," she says.
Because of this, it feels very special, she says, that the film could bring "hope and joy and love to all these different communities".
"Perhaps this explains it's sort of like this movie of the summer, because we just needed positivity and something to unite us as one."
The advancement of artificial intelligence is a significant worry for the entertainment sector, raising the possibility that in coming years it could be used to produce a film like the animation.
The actress says she is conscious that AI is already being used to copy actors' voices, but wants to "have hope in humanity" that audiences will still pursue art created by humans.
"Certainly, I'm sure there will be digital performers and vocalists. I'm aware they're already here. I understand performers' voices are already being manipulated, but I trust the public have some respect and want and love for authentic creations."
KPop Demon Hunters has also been dominating the global music charts, with multiple songs from its soundtrack featured on the prestigious charts. It has its own fan art, and viewers globally are calling for a follow-up.
She tells us she would like to confirm the inquiry of whether that will happen – but both everyone involved will have to await the streaming service or the production company, which made the film, to approve the project.
"I'm aware rumors are circulating, I've heard wonderful things," she shares. "Only time will tell, and I believe fans everywhere would protest if there wasn't."
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